I remember back in the day the Sioux Falls Argus Leader had Ann Grauvogl. She attended and reviewed concerts and plays and really got people worked up with her opinions. She was followed by Bob Keyes. He tilted more toward the rock and roll side and did a great job.
Their reviews gave their opinion, but also the set list, the attendance, what the audience reaction was. I don't know that the Argus does that anymore. I know the Rapid City Journal doesn't. If I can't make a concert, I like to know stuff like that. Was it worth the money? I wish they'd bring those back.
I'm not good at reviews, even books. Though I have an opinion on what I like, I have a hard time verbalizing why I liked something.
Still, I wanted to tell you about the Halestorm concert wifey and I went to Tuesday night at the Civic Center in Rapid City.
The opening band was Beasto Blanco. It's fronted by Chuck Garric and Calico Cooper. He is the longtime bass player for Alice Cooper and she is the daughter of Mr. Cooper. They were what you'd expect from anyone with the Cooper pedigree. Head banging and theatrics, like when Calico pulled the arm off a mannequin (which was on stage for some reason) and proceeded to twirl it around and do sexually suggestive things with it.
While not a big fan of growly head-banging myself, I actually preferred their set to the one that followed, Palaye Royale.
These 20-something-age guys are Canadian, so maybe enough said. They call themselves a "Fashion-Art Rock Band," whatever the heck that is. After watching their set it must mean: Let's jump up and down in skinny jeans and shout the F bomb as often as possible.
For a really funny/scathing review of these Canucks, check out this.
Musically, Palaye Royale are the audio equivalent of those ‘Normal People Scare Me’ t shirts you see so many of around Camden Market. It’s all bouncy, sassy instrumentation that lies somewhere in between early 00s emo power pop and High School Musical, with lyrics about being a kooky outsider, misunderstood by the world. Not a bad thing in its own right, but you have to question a band playing the sincere outcast card while they look like, sound like and sell themselves as the result of a marketing director staring at a mood board full of pictures of My Chemical Romance, Panic At The Disco, Twenty One Pilots and massive piles of money. In actual fact, though, the worst thing about their music is that it’s not even shit enough to be funny. It’s just so cynically put together that it bums me out.So, finally, with the head-bangers and the nose-pickers out of the way, we got on to the main event, Halestorm, and they made suffering through the opening two acts worthwhile.
They push hard rock just up to the level where if it goes any farther I wouldn't like them. But they don't so I do. A lot. They aren't dark, death metal. You can understand their lyrics, some of them somewhat sexual, double entendre-ish. The way I like em.
Their lead singer is Elizabeth Hale and she just down-right rocks it. How she could speak the next day after the concert is beyond me. She follows in the path of Debbie Harry (Blondie), Joan Jett, Pat Benatar and Lita Ford as kick butt female rockers.
As we walked out of the event, two dudes in front of us referred to her as "a rock Goddess." And I'd agree. She's as talented of a guitar player as anyone who took the stage that night. She's beautiful and personable, had a good front-person's rapport with the crowd.
To me, Lizzy Hale is the type of person feminists should embrace. She's in a male-dominated field, is kicking butt (won a Grammy for Best Hard Rock Performance, the first time for a band fronted by a female) and seems to be enjoying her career.
Her brother, Arejay Hale, is the drummer, who opened the show with a bombastic solo effort.
They played all the songs I knew, like "Love Bites" and "Do Not Disturbed," but didn't play another one I like, "American Boys." Maybe that's not one of their hits, not sure.
Halestorm put on a professional, high-end show. The one thing that struck me is they left the stage somewhat early in one of those forced encore moments. And I'm not quite sure they're at that encore-band level yet. I was worried for them as the crowd's enthusiasm started to fizzle before they returned to the stage. I told wifey: "They better get back out here before people start leaving." They did and finished strong.
I enjoyed the concert. I'm guessing 1,500 people, but I'm not great at that. I was a little disappointed in the crowd size. Thought there should've been more.
The band was very good, but not great. I didn't walk out in awe or buzzing, like after some concerts. Well worth the $35 ticket though.